DEUTSCHE VERSION
Christoph Angerer

Born in 1966 in Bonn/Germany. A Viennese with Austrian citizenship and Swiss citizen rights. He studied music at the Academy of Music in Stuttgart and at Vienna's Academy of Music and the Performing Arts. 1988 graduation in viola performance. He studied music sociology concentrating on music history of the 18th century (worked on "The Role of the 'Minor Masters' in the 18th Century"). In 1982 the ensemble "Concilium musicum Wien" was founded by him and his father, Paul Angerer, in order to perform works on original period instruments, having intensively studied the historical way of performing music of the (Viennese) classical and pre-classical periods. Intensive preoccupation with the use of original instruments, particularly the viola d'amore.

Christoph Angerer has performed in numerous concerts - mainly with the Concilium musicum Wien but also with other ensembles - as well as solo recitals on the viola and the viola d'amore. His discography includes a large number of radio and tv recordings as well as various CDs.

Since 1993 he has been lecturing viola d'amore at the University of Music in Vienna and giving master classes in Europe (viola, viola d'amore and historical performance tradition). Since 1999 co-operation with "Yamaha Europe" in different areas. In 1991 he founded the international music agency "Kultur-Management Wien".

 

 

The Viola d’amore

is a stringed instrument in the shape of a viola, only with six or sometimes even seven playing strings and six or seven sympathetic strings for extra resonance.

The tuning of this instrument can vary whereas the tuning often was D-major (A D a d' f-sharp' a d'') in the 18th century. The sympathetic strings give the viola d'amore its special timbre and mostly match the pitches of the playing strings. The instrument is held under the chin like a violin or viola. Because of the extra two or three playing strings and the varying tunings the viola d'amore needs to be played slightly differently.

The viola d'amore was very popular in the baroque and classical era with composers like Heinrich Ignaz Franz Biber, Johann Sebastian Bach, Antonio Vivaldi, Carl Stamitz, Anton Hoffmeister, Johann Georg Albrechtsberger and Joseph Leopold Eybler.

Mozart and Haydn, unfortunately did not compose for the viola d'amore, which might be the reason why the instrument is almost forgotten and rarely heard in concerts halls around the world. Hopefully modern compositions for this instrument will cause a renaissance to the viola d'amore.

 

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